"Callas, natürlich!"

"Fenbury, however, wore the gold not only on her costume but also in her throat, particularly in Gluck’s Orfeo lament."

(Translated)

- Frankfurter Allgemeine Zeitung, Claudia Schülke, Frankfurt am Main, 15.04.2016

ÜBERICH + MICH

"Louise attempts to temper her narcissism through falling in love, a situation that allows Fenbury’s velvety mezzo-soprano to come fully into its own."

(Translated)

- Frankfurter Allgemeine Zeitung, Claudia Schülke, Frankfurt am Main, März 2017

Benjamin Britten´s A MIDSUMMER NIGHT´S DREAM

(Staatstheater Mainz)

"The four lovers, whose emotions are thrown into confusion by magic and ultimately guided back onto their intended course, are evenly and convincingly cast, with strong vocal personalities including Louise Fenbury (Hermia). The awakening quartet, in which they return, transformed, to reality, is the most intimate moment of an evening received with great acclaim."

(Translated)

- Wiesbadener Kurier, Johannes Breckner, Wiesbaden, Mai 2017

"Louise Fenbury delivers a richly indulgent performance as a coloratura Rosina in mezzo-soprano register with Rossini’s Una voce poco fa."

(Translated)

- Frankfurter Neue Presse, Joachim Schreiner, Frankfurt am Main, März 2017)

Opera Divina

"The Australian Louise Fenbury delighted audiences with the warm timbre of her voice and her finely nuanced musical shaping."

(Translated)

- Blickpunkt Biebrich, Wiesbaden 2016

Carmen, "Habanera", Kunstgalerie

"Louise Fenbury brought a dramatic intensity to the evening. An exceptional voice."

(Translated)

- Klaus Engelke, Nürnberger Nachrichten

“What a fine Cherubino she proved to be, epitomizing the young adolescent male to perfection. She appeared boyish and the audience had no trouble suspending disbelief as she launched her into the character’s mishaps.”

- Opera-Opera, Alan True, 2007

Orlovsky, Die Fledermaus (WA Opera):

“Louise Fenbury is the possessor of an interesting rich mezzo, perhaps heading towards contralto, voice … Her incarnation of Orlofsky was stylish in an all-white evening suit, and she conveyed a convincingly louche male quality.”

- Opera Britannia

Rachmaninov's Vespers (St. George's Cathedral):

"I admired alto soloist Louise Fenbury's finely pitched stream of dark velvety tone."

- Neville Cohn, West Australian Newspaper